{"id":949,"date":"2017-02-27T02:41:31","date_gmt":"2017-02-27T02:41:31","guid":{"rendered":"https:\/\/gweberguitars.com\/?page_id=949"},"modified":"2017-06-22T22:52:40","modified_gmt":"2017-06-22T22:52:40","slug":"classical","status":"publish","type":"page","link":"https:\/\/gweberguitars.com\/?page_id=949","title":{"rendered":"Classical"},"content":{"rendered":"<p>My approach to creating\u00a0guitars is based in my roots of classical guitar technique and ear training learned while I was getting my BA in Music in college. Developing a critical ear is ultimately what led me to dive into the world of listening\u00a0to the subtle nuances and differences in handmade instruments. I saw an exhibit of rare and vintage guitars at the Guild of American Lutherie gathering in early 2000&#8217;s and was mostly struck by a few classicals that were built incredibly light and very responsive with rich round voices. My classical\u00a0is based on a drawing that renowned luthier Jeff Elliott did for GAL of a 1943 Hermann Hauser classical guitar. The result is a lightweight, dynamic instrument with a warm present\u00a0bass, crisp round highs, and a full rich mids.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_953\" style=\"width: 410px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-953\" class=\"wp-image-953\" src=\"https:\/\/gweberguitars.com\/wp-content\/uploads\/2017\/02\/greg-weber-guitar-1-006.jpg\" width=\"400\" height=\"853\" srcset=\"https:\/\/gweberguitars.com\/wp-content\/uploads\/2017\/02\/greg-weber-guitar-1-006.jpg 300w, https:\/\/gweberguitars.com\/wp-content\/uploads\/2017\/02\/greg-weber-guitar-1-006-70x150.jpg 70w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-953\" class=\"wp-caption-text\">pictured with Sycamore and Cedar<\/p><\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li>65 cm scale length<\/li>\n<li>2&#8243; nut width<\/li>\n<li>12 frets to the body<\/li>\n<li>Indian Rosewood back and sides<\/li>\n<li>Premium Engelmann Spruce or Cedar top<\/li>\n<li>Spanish Cedar neck<\/li>\n<li>Ebony fingerboard<\/li>\n<li>Indian Rosewood bridge<\/li>\n<li>Hand French Polished finish<\/li>\n<li>Solid wood rosette<\/li>\n<li>Bone nut and saddle<\/li>\n<li>Premium classical tuners<\/li>\n<li>Wood binding<\/li>\n<li>Access Stage III deluxe hard shell case<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">\n","protected":false},"excerpt":{"rendered":"<p>My approach to creating\u00a0guitars is based in my roots of classical guitar technique and ear training learned while I was getting my BA in Music in college. Developing a critical ear is ultimately what led me to dive into the world of listening\u00a0to the subtle nuances and differences in handmade instruments. I saw an exhibit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-949","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/pages\/949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gweberguitars.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=949"}],"version-history":[{"count":10,"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/pages\/949\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/gweberguitars.com\/index.php?rest_route=\/wp\/v2\/pages\/949\/revisions\/1464"}],"wp:attachment":[{"href":"https:\/\/gweberguitars.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}